AUTHOR

FICTION BOOKS
Why Nancy is writing fiction books.
After 35+ years in the academic and research world, I’m sticking my toe into the world of writing fiction. And I’m learning how to be a beginner all over again.
At the start of the pandemic, I took a Zoom course and wrote my first novel in about six months. After asking a few people to look at it, I realized what an amateur I was and had quite an awakening. This novel-writing business may be easy for some, but I’m not even at the starting line.
I didn’t take creative writing in college but rather jumped into years of nonfiction writing—research reports, academic journal articles, books on topics like transition economies, women working abroad, creativity, and insight. Then came newspaper columns (very short), a daily local NPR radio “column,” and writing for Psychology Today. I wrote some short, very accessible books for leaders about creativity and culture. Most recently, I wrote a set of profiles of Vietnamese who lived through war and famine and now lead the country in education, business, and government. All that has taught me to write clear nonfiction, and, at the time, I thought it would help me leap into fiction. Was I wrong?
LEARNING HOW TO BE A BEGINNER AGAIN
I joined a fiction workshop where eight of us submitted 2,000 words a week for feedback. This group of fantasy, sci-fi, romance, thriller, and historical fiction writers baffled me. I was the lone “gentle mystery” writer: no violence, gore, or torture, just a story about a murder in a hot spring in the wild mountains of the Pacific Northwest.
The reviews from my colleagues were direct and felt brutal on first reading. But I’ve received many callous reviews on academic journal articles, so I did what I always found useful: I put the feedback in a drawer for a day or so and then took a second look. And I realized, of course, that the reviewers were fair, honest, and pointed out many places where I needed to improve.
They chided me about point of view, the purpose of a scene, why to drop extraneous characters, scenes, chapters, and words. They clarified the difference between story and plot, subplots, and “episodic chapters.” And that was just the first few weeks. I understood yet again that I am a beginner, but that also has its benefits.
For years, I’ve been an “expert” in my professional discipline and rarely embark on something completely new, so my writing adventure is a way to put myself into a situation where I can ask all the dumb questions. I can play since I’ve nothing to prove. As a fiction-writer-in-training, I feel completely free to be a beginning learner. There’s a freedom that comes with that, and being a beginner gives me empathy for people in my classroom who may themselves be beginners.
A CASE OF
TOO MANY DEATHS
What does Emma know about her family? Not much, from the sounds of it.
Rookie lawyer Emma Raddell’s estranged her mother's calls begging her to help exonerate an aunt she never knew about who is now on death row. This mysterious aunt was convicted of murdering her four children twenty-four years earlier and is now weeks away from execution.
Emma must find a way to clear her aunt, battling the legal system in the process, as she tries for a mistrial or a new trial. She also must find a way to counter the original trial’s strong testimony by an undisputed expert.
As the investigation progresses, with the help of a retired Scottish librarian and a world-renowned geneticist, Emma races to uncover how the four children died—if she is to believe her aunt’s claim of innocence–and find a way to save her aunt from execution. In the process, Emma must navigate her tense relationship with her mother while learning secrets that could shatter her belief in herself and her family.
An interplay between courtroom drama and a medical investigation, A Case of Too Many Deaths is a gripping mystery that challenges readers to piece together clues in a sophisticated and thought-provoking narrative.
A Mother Calls, A Daughter’s Life Turns Upside Down.
A Mystery of Genetics and The Courtroom.




BOOK CLUB QUESTIONS
Download the A Case of Too many Deaths book club discussion questions. Nancy offers all book clubs a complimentary 30 minute call with her after your book club finishes the book. Reach out to us today to inquire.
KIND WORDS
If you felt motivated or inspired by A Case of Too Many Deaths, we encourage you to share your thoughts with other readers via a review at the retail outlet the book was purchased at. Please also feel free to reach out to us today to share your thoughts as well.

REVIEWS
"An entertaining, easy, and compelling read that kept me up at night to find out what was going to happen next. The author’s detail of Emma’s imperfections made rooting for her even more fun!"
~ Kate Pape
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"Life and death. Nothing less. And a whole lot more. Intriguing science. Courtroom drama. Family dysfunction. A compelling but flawed protagonist. A colorful sidekick named Rupert. And a dog named Shadrach. What's not to like?"
~ Linda
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"I read the novel A Case of Too Many Deaths with pleasure. The plot, based on a real case, is exciting. Until the very end, you hold your breath to see whether the acquittal will be successful. What I really liked is the connection between the story and the life and feelings of the main protagonist, the young lawyer. The author brought this character to life with lots of dialogue and her passionate plea. Also interesting are some of the insights into scientific research, especially referring to genetics, and the idea of making a scientist suffering from ALS an important supporting character. I am already looking forward to the author’s next book."
~ Katja Moehrle
THE ART OF LIES
What happens when an ambitious museum employee from Vietnam discovers art crime that affects her family and country?
Thuy, a proud 39-year-old aspiring museum curator in Hanoi, Vietnam, loses a long-sought-after job but then gets the chance to mount a major visiting exhibit at her museum, which could boost her career. The exhibit will showcase paintings “returning home” to Vietnam. A collector in France has offered to loan Vietnamese artists’ paintings that have been outside the country for years. Several paintings are by her famous great-uncle, whose reputation has been critical for the family legacy for decades. But, right before the exhibit opens, she’s faced with the possibility that some of the paintings are fake. She must find out if they are, why they are, and who’s behind the scam.
Her father insists she tell no one, not even the museum’s director and curator. She fears that opening with forged paintings could ruin her reputation, along with the artists’, the museum, and the country. She approaches the collector, who claims he had no idea and insists she open the exhibit.
Backed into a corner, she must find out who’s behind the fake pieces in the exhibit before the opening, but in the process, she learns there are fakes in her museum’s permanent collection as well. The more she searches, the more she suspects someone inside the museum or, even worse, her father, is involved with the scheme.
Has her family been living a myth? Is her family really one of artistic prestige, or is the legacy her father has created just a lie? If this is a myth, how deep does the conspiracy run? And if her father is involved, does she turn him in, which will destroy the family and its legacy, or protect the integrity of her museum, the artists, and the country?
Dilemma, Betrayal, and Vietnamese Art Forgeries.
What if the Biggest Fraud was Your Family Legacy?




BOOK CLUB QUESTIONS
Download The Art of Lies book club discussion questions. Nancy offers all book clubs a complimentary 30 minute call with her after your book club finishes the book. Reach out to us today to inquire.
Discover the Hidden World
Behind The Art of Lies
Want to Dive Deeper into Vietnam's Art and Culture?
The Art of Lies isn't just a mystery—it's your gateway to understanding one of the world's most fascinating cultures and art scenes. But Vietnamese names, cultural nuances, and historical references can feel overwhelming. That's why we've created the perfect companion guide.
Your Complete Cultural Companion
Our comprehensive guide unlocks everything you need to fully appreciate the novel: character name pronunciations, the real Vietnamese art world that inspired the story, and the cultural context that explains why family loyalty drives every decision. You'll discover why the "subsidy period" created the desperation behind Bo's choices, how the concept of "face" shapes character behavior, and what makes Vietnamese art so valuable—and vulnerable to forgery.
Whether you're struggling to keep track of characters, curious about the historical backdrop, or want to understand the cultural forces driving the plot, this guide transforms confusing details into clear, fascinating context that enhances every page.
Already finished the book?
The guide is perfect for book clubs, rereading, or recommending to friends. Many readers say it makes them want to experience the story all over again with their new understanding.
Haven't started yet?
Download now and keep it handy as you read.
You'll catch cultural nuances and historical references that other readers miss entirely.
Transform your reading experience. Understand the real Vietnam behind the fiction.

NON FICTION BOOKS
Why Nancy is writing non-fiction books.
As I reflect on my non-fiction writing career, I’ve discovered I write for several reasons: to survive, to share, and to learn.
Writing to survive.
As a young researcher at Battelle Memorial Institute (Columbus, Ohio), I wrote reports for clients in many different industries—from auto to steel, industrial diamonds to canned fruits and vegetables. That experience taught me to try and make writing clear, concise, and compelling, if that’s possible when analyzing vegetables.
Then I moved to the academic world where the job was teaching, research, and service. I eventually learned to teach and I could easily serve on committees, but I had to “publish or perish” or I’d lose my job. That meant, primarily, publishing in academic journals, which I did for years. For both jobs—research scientist and professor—I wrote to keep my job and survive.
But when I learned that, on average, only ten people read a given academic article, I choked. All that work for so few readers. So, I searched for ways to get my ideas out to more people, which meant…
Writing to share.
I began writing articles and books on questions that came from students, managers, and leaders I met over the years, including during my nine years working in Vietnam. The book topics were wide ranging, including women working abroad, economies in transition, and creativity and insight. I left my office and went into the field where I interviewed loads of people and did case studies on diverse, high-performing organizations—from college football to theater, from a jail to software. When USA Today wrote a story about the football coach I worked with and I was part of the story, I was thrilled that the notion of creativity was something people wanted to learn about because of the coach.
I found more outlets for sharing ideas. I gave talks in the U.S., Australia, the U.K., and Korea. For seven years, I delivered daily business comments on my NPR local affiliate. I began writing a column for the local newspaper and a blog for Psychologytoday.com, which I still do today. And when I run into someone who says, “Your column made me think differently about something,” that means more than when someone tells me she read my article on “Product Diversification, Performance Criteria, and…” because I’m asleep before the title is over. During those years, of course, I wrote to find the answers to questions. That brings me to a bigger reason of…
Writing to learn.
So much of non-fiction writing is to analyze a question and solve a problem, but in the end, writing has become one of the major ways I learn. Of course, I learn from reading, watching, and listening, but I also learn when I write and it's sometimes a mystery how that happens. Often I’ll discover I’ve written something in a way that I don’t know how I got there. When that happens, I find an idea is different, clearer, and more interesting. I’ve moved into a phase where a specific expectation no longer holds. I find that, if I’m lucky—or persistent—magic happens and an idea appears or a connection jumps into play. I realize again how lucky I am to learn…and write… for a living.





